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Genre : Horror, Thriller

Director : Travis Stevens

Studio : Eyevox, AMP International

Casts : Sarah Lind, Phillip Jack Brooks, Robert Rusler, Mark Kelly, Larry Fessenden, Barbara Crampton, Bonnie Aarons, Jay DeVon Johnson

Writer : Kathy Charles, Travis Stevens, Mark Steenland

Runtime : 98 minutes


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THE STORY
Its and Jeremy Camp (K.J. Apa) is a and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes Bookmark this site across one Melissa Heing (Britt Robertson), a fellow university student that he takes notices in the audience at a local concert. Bookmark this web site Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she actually is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also offers feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually end up in a loving dating relationship. However, their youthful courtship Bookmark this sitewith each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon end up walking a fine line between a life together and suffering by her Bookmark this siteillness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD
Sorry if this sounds a bit familiar pieces from my review of I COULD Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not really a crazy zealot or anything like this) for my bases of religion and my outlook beliefs in life, I’m not really a huge fan of the “faith-based” feature films. That’s not saying that they’re bad or that I find them deplorable to the other more popular movie s out there, however, many us they can somewhat preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have tested to stand the test of us within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 04’s Exodus: Gods and Kings and 06’s Ben-Hur; both which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into modern day pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned previously, some have found success in their literary forms (being predicated on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a lttle bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can some us be problematic in their final presentation for both its viewers and in the film itself; some us making the movie feel just like a TV chael movie rather than a theatrical feature film.